The story of Southeast Alaska's Native people began centuries ago and continues today.
At the Walter Soboleff Building, you’ll be surrounded by that story like no other place in Juneau. Walk through an authentic clan house. Visit our new exhibit, Aan Yátx'u Sáani (Noble People of the Land): Southeast Alaska Through Native Eyes. Take home a Native-crafted souvenir, along with new insights into Southeast Alaskan history and the ways we are all shaped by whatever land we call home.
- Admission: $5; $4 for seniors 65 and over. Children under age 7 admitted free.
- Summer: 9 am-8 pm
- Winter: Tickets may be purchased in the Sealaska Heritage Store for group or individual sales.
- Address: 105 S. Seward Street Juneau, AK 99801
- Call for more information: (907) 586-9114
Sealaska Heritage will open a new exhibit in May 2018 called Aan Yátx'u Sáani (Noble People of the Land): Southeast Alaska Through Native Eyes. The exhibit will highlight the interrelationship between Native Peoples and their land and will include an interactive exhibit on place names, halibut hooks, and intertidal salmon traps. It will be up for three to five years. Click here to read how the old fish trap stake in the photo above relates to our new exhibit!
Juried Art Show
Sealaska Heritage will open an exhibit featuring work accepted into its 2018 Juried Art Show and Competition from May 15-September 30, 2018. The show will feature Northwest Coast pieces by some of our most talented Tlingit, Haida and Tsimshian artists. The competition includes six divisions: Carving and sculpture (wood and metal carvings and sculptures); sewing (skin and fur, beadwork and other); weaving (Chilkat, Ravenstail and basketry); two-dimensional (paintings, drawings and prints); and endangered art (spruce-root weaving and mountain goat horn spoon carving).
At Sealaska Heritage Institute's Walter Soboleff Building, visitors will see monumental art made by some of the best artists of our time, and each tribe--Tlingit, Haida, and Tsimshian--is represented in the large installations. Visitors will first see huge, 40-foot panels on the exterior designed by the internationally celebrated Haida artist Robert Davidson. The design represents a supernatural being called the "Greatest Echo" -- a theme chosen by Davidson because Dr. Walter Soboleff, the building's namesake, echoed the past to bring it to the present.
Inside the entry, visitors will see an enormous house front made by the Tsimshian master artist David A. Boxley. At almost 40 feet wide by 15 feet high, it is thought to be the largest, carved-and-painted Tsimshian house front in the world. The center of the house front tells the Tsimshian story Am’ala: Wil Mangaa da Ha’lidzogat (Am’ala: He Who Holds up the Earth). A tiny door in the belly of Am’ala leads into the clan house, formally named Shuká Hít (Ancestors’ House) in a ceremony.
Once inside Shuká Hít, visitors will see the largest glass screen in the world, made by the Tlingit glass artist Preston Singletary. Preston is internationally celebrated for his innovative creations, which use a medium not known in pre-contact times. His piece measures 17 feet wide and 12 feet high at its peak and is rendered in carved, amber-and-black glass.
The clan house, named Shuká Hít in a ceremony, is modeled after the traditional clan houses historically seen throughout Southeast Alaska. It includes a central “fire pit” and tiers for communal activities. A traditional clan house would have included a wooden house screen with posts on one side, but—in a nod to the modern world—we have rendered them in glass. In the corner of the clan house is the carved hand print of a child. The placement of a handprint or “X” in a clan house is an ancient practice and was done during the grand opening ceremony for the building.
The interior of the building is planked in cedar, which was hand-adzed by the Tlingit master artist Wayne Price. Adzing produces a texture that is commonly seen in Northwest Coast art, canoes, clan houses, and ceremonial objects. Price adzed almost every day for five months despite a very blistered hand. At the end of the project he had made nearly one million adze marks on more than 3,200 square feet of wood! In this short video, Price talks about the importance of adzing to Native culture. Once Native people learned how to adze, everything else followed--including clan houses, totem poles and dugout canoes.
Sealaska Heritage Store
Before you leave, we hope you browse our Sealaska Heritage Store, where we offer authentic Native art, gifts and souvenirs. Proceeds from store sales and admissions support our cultural programs. Read more about our cultural programs.