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Sealaska
Heritage Institute in 2006 wrapped a three-year Native art project in Hoonah to
perpetuate and enhance traditional art practices. (News
Article)
The program was funded in part through a
3-year federal grant of $363,500, which also includes funds to
publish two books on art forms. The grant funded approximately 80
percent of the project.
SHI will used a
portion of the grant award from the Administration for Native
Americans to fund Native carving and basket-weaving classes from
2004-2006 in Hoonah, the largest Tlingit village in Southeast.
Most
students who completed the institute’s Native art classes received a certificate from the University of Alaska Southeast, a
partner in the project. The goal of the art classes was to
perpetuate traditional Native art forms and to give Hoonah
residents skills to make art for sale in the community’s budding
tourism industry.
“Our job at
Sealaska Heritage is to promote and sustain our culture, and
Native arts are integral to our culture,” said SHI President
Rosita Worl, president of the institute. “In addition, we knew
there was great potential for tourism development in Hoonah, so
we thought Hoonah would be a logical place to start a Native
arts program because there might be a local market for the art
made by people who complete our classes.”
The federal
grant also funded two books on carving and weaving to
teach the art forms to future artists, said Worl, adding most of
the publications on Native art currently available are oriented
toward academics, not Native art instruction.
“We wanted to
have broader publications that could be used in schools by
teachers,” said Worl, noting SHI in the future plans to push for
Native art instruction in public schools and to help make the
Alaska Native art industry a gainful employment option for more
Alaska Natives.
The
institute’s partners in the arts program included Huna Heritage
Foundation, the Hoonah School District, and UAS, which sponsors
Native arts programs in Juneau, Ketchikan and Sitka. The Native
art project also is supported by Huna Totem Corp. and Hoonah
Indian Association. Approximately 20 percent of the program was financed through non-government sources.
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